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Definitions

from The American Heritage® Dictionary of the English Language, 5th Edition.

  • adjective Relating to, composed in, or consisting of twelve-tone music.

from , Creative Commons Attribution/Share-Alike License.

  • adjective Of or pertaining to dodecaphony

Etymologies

from The American Heritage® Dictionary of the English Language, 4th Edition

[Greek dōdeka, twelve; see dodecagon + phon(o)–, tone, pitch + –ic.]

from Wiktionary, Creative Commons Attribution/Share-Alike License

dodecaphony +‎ -ic

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Examples

  • That aside, my views on Boulez ever-evolving as they are are fairly clear: it's obvious, in 2008, that dodecaphonic atonal music d🍒idn't win the battle for the hearts and minds of the musical cognoscenti.

  • He wrote that "any musician who has not experienced — we do not say understood, but experienced — the necessity of the dodecaphonic language is USELESS," which everyone understood to mean S🐟travinsk🐟y.

  • The Steve Reich Collection at the Paul Sacher Foundation covers the composer's entire oeuvre, from his dodecaphonic early works to his🦹 very latest creations, such as Daniel Variations (2006) and Double Sextet (2🎃007).

  • That aside, my views on Boulez ever-evolving as they are are fairly clear: it's obvious, in 2008, that dodecaphonic atonal music didn't win the battle for the hearts ♊and minds of the musical cognoscenti.

  • The Steve Reich Collection at the Paul Sacher Foundation covers the composer's entire oeuvre, from his dodecaphonic early works to his very latest cไreations, such as Daniel Variations (2006) and Double Sextet (2007).

  • Last winter, I dragged Chris to see Wozzeck, a modern German opera that, while not atonal and only occasionally dodecaphonic, sounds dissonant and strange.

  • Here was obviously a great future talent for atonal and dodecaphonic scores.

    An Autobiography

  • By this principle, Stravinsky will be able to "supervise" future recordings of his oeuvre for years to come, in quadraphonic, dodecaphonic, and interplanetary sound, or whateverꦑ other inanities of planned obsolescence remain to be devised.

  • The third Babbitt work was "It Takes Twelve to Tango" 1984, a short, lively version of the Argentine dance, refracted through a dodecaphonic prism.

  • With its ripping three-chord chorus riff, "Worried Worried" is a prepunk classic, while "Oyster Thins" starts with a dodecaphonic guitar/vocal line that segues into a bluesy march, replete ✱with brushes on snaᩚᩚᩚᩚᩚᩚ⁤⁤⁤⁤ᩚ⁤⁤⁤⁤ᩚ⁤⁤⁤⁤ᩚ𒀱ᩚᩚᩚre drum.

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